Rolling Stone Review:
(Madison Square Garden, June 29, 1977)
published in Rolling Stone Magazine, August 23, 1977
(by Peter Herbst)
Two things about Fleetwood Mac's Garden show: Stevie Nicks failing voice was the audience's prime discussion topic before and after the concert; and Fleetwood Mac performed magnificently without Nick's best efforts.
Nicks clearly has become the group's centerpiece, a shaggy, haired love object who cultivates onstage mystique that only the very young could thoroughly buy. Her mannerisma - whirling dances (outstreched arms converting her shawl into butterfly wings), sotto voice introductions fro Rhianon: This is a song about a welsh witch and sulky aimlessness between her numbers - skirt corniness. Still Nicks has an "undeniable" magnetism and gets away with her devices more often than not.
On this night, though, she couldn't summon the chops to get away with anything, Fleetwood Mac had canceled their previous evening's performance in Syracuse because Nicks was suffering from severe vocal strain. At the Garden she found it impossible to hit "Rhiannons" higher notes - though she struggled valiantly. And during "Gold Dust Woman", Nicks, wearing a witch's black hat and framed by a Halloween moon that reappeared from time to time during the night growled hoarse incarnations to rival Linda Blair's Regan's without Regan's exquisite control.
Even more, Nicks was nearly always physically unstable. She lurched about the stage, twirled slowly with all the grace of a druken sailor and, near the concert's end, wobbled along the stage's prt and starboard precipices while frantic roadies followed to prevent a fall.
What her deficiencies temporary I assume, since some who saw the next night's show at the Garden said Nicks had righted herself), allowed was the empergence of Lindswy Buckingham, Fleetwood Mac's slightly forgotten man (sandwiched as he is between airy Nicks and earth mother Christine McVie), Buckingham sang with startling force and range. Perhaps the fact that he his his high notes so ringingly after Nicks consistent fluffs made his singing more dramatic - he seemed genuinely grateful when the audience acknowleged his songs, almost always with its greatest applause.
Buckingham writes and sings Fleetwood Mac's most uptempo number ("Monday Morning"), so he's a antural in performance. But his guitar work, on slower acoustic numbers like "Never Going Back Again" as well as on hard rockers like "The Chain", was always suprisingly and, effectively electric. Buckingham used fingerpicking and hard chording to create an orchestral guitar sound and is primarily responsible for Fleetwood Mac's alluringly bright instrumental texture. On record, Buckingham's soloing has always sounded overly familiar, built as it is from the general guitar wisdom of the Sixties; yet taken as a whold, its beginning to sound distinctive. Buckingham's nonchant for understated fills nad his control of timbre remind me most of Beatles-era George Harrison.
Which is very much to the point, Fleetwood Mac, much like the Beatles, is a group of diverse personalities that mesh suprisingly well. Christine McVie is one of rocks most easily identifiable female vocalists, and most likable (her "Say that You Love Me" and "Over My Head" both hit singles, opened to great rushes of applause). But its as much a thrill to see Nicks and Buckingham harmonizing behind McVie as it is to hear her stately versions of those songs. Thought Buckingham's voice is not quite as distinctive as the other's, his, Nicks' and McVie's singing are effectively disparate - as diffeerent in intensity, approach and sheer sound as could be. And though the Beatles' voices were far more alike, there's a similar yoking here of strong egos to one purpose 9much like all-stars wo actually play as a team). And since this edition of Fleetwood Mac hasn't written a bad song in two albums, they always manage to score, no matter what.
Bass guitarist John McVie and drummer Mick Fleetwood should not go unmentioned. Their combination of flowing percussion and spare, accented bass is one of the most delightful in all of rock. And Fleetwood Mac, as should be obvious, began and surely will end with Fleetwood and McVie.
The Tour Itinerary:
(If you have any correction or additions to this itinerary, our fleetnotes, or to this page at all, please send them here. As always, you will receive full credit for your submission.)
| Date |
Venue |
City (Fleetnotes are highlighted in blue) |
| February 24, 1977 |
Nassau Coliseum |
Uniondale, NY
|
| February 28, 1977 |
Berkeley Community Theater |
Berkeley, CA
|
| March 1977 |
El Paso Civic Center |
El Paso, TX |
| March 6, 1977 |
Tarrant Convention Center |
El Paso, TX
|
| March 10, 1977 |
San Diego Sports Arena |
San Diego, CA
|
| March 21, 1977 |
The Spectrum |
Philadelphia, PA
|
| March 22, 1977 |
Hershey Park Arena |
Hershey, PA
|
| March 23, 1977 |
Civic Center |
Hartford, CT |
| March 24, 1977 |
Nassau Coliseum |
Uniondale, NY |
| March 25, 1977 |
Hartford Civic Center |
Hartford, CT |
| March 1977 |
Ramshead Airforce Base |
Annapolis, MD
|
| April 1, 1977 |
Kemper Arena |
Kansas City, MO
|
| April 2, 1977 |
The Odeon |
Birmingham, England
|
| April 4, 1977 |
The Apollo |
Glasgow, Scotland
|
| April 5, 1977 |
The Apollo |
Manchester, England
|
| April 8, 1977 |
Rainbow Theatre |
London, England
|
| April 9, 1977 |
Rainbow Theatre |
London, England
|
| April 10, 1977 |
Rainbow Theatre |
London, England
|
| April 1977 |
Colston Hall |
Bristol, England
|
| April 1977 | Le Zenith |
Paris, France
|
| April 14, 1977 |
Jahrhunderthalle |
Frankfurt, West Germany
|
| April 16, 1977 |
RAI Halle |
Amsterdam, Holland
|
| April 23, 1977 |
The Apollo |
Glasgow, Scotland |
| April 24, 1977 |
Hovet |
Stockholm, Sweden |
| April 1977 |
Olympen |
Lund, Sweden
|
| May 1, 1977 |
Folsom Field |
Boulder, CO
|
| May 7, 1977 |
Oakland Stadium |
Oakland, CA
|
| May 15, 1977 |
Tarrant County Convention Center |
Fort Worth, TX |
| May 1977 |
Summit |
Houston, TX |
| May 18, 1977 |
Fairgrounds Arena |
Oklahoma City, OK
|
| May 21, 1977 |
Nashville Municipal Auditorium |
Nashville, TN
|
| May 29, 1977 |
Tangerine Bowl |
Orlando, FL |
| June 2, 1977 |
Jefferson Civic Center |
Birmingham, AL
|
|
June 3, 1977 |
Mid-South Coliseum |
Memphis, TN
|
| June 5, 1977 |
Tad Gormley Stadium |
New Orleans, LA
|
| June 25, 1977 |
Barton Coliseum |
Little Rock, AK |
| June 28, 1977 |
Onondaga County War Memorial |
Syracuse, NY |
| June 29, 1977 |
Madison Square Garden (see above review) |
New York, NY |
| June 30, 1977 |
Madison Square Garden |
New York, NY |
| July 3, 1977 |
Memorial Auditorium |
Buffalo, NY
|
| July 4, 1977 |
Exhibition Stadium |
Toronto, Canada |
| July 7, 1977 |
Civic Center |
Providence, RI |
| July 11, 1977 |
The Scope |
Norfolk, VA |
| July 13, 1977 |
Capitol Center |
Washington D.C. |
| July 16, 1977 |
Rupp Arena |
Lexington, KY |
| July 23, 1977 |
Chicago Stadium |
Chicago, IL |
| July 24, 1977 |
Chicago Stadium |
Chicago, IL |
| August 25, 1977 |
Aladdin Theatre |
Las Vegas, NV |
| August 27, 1977 |
University of Arizona Football Stadium |
Tucson, AZ |
| August 29, 1977 |
Great Western Forum |
Inglewood, CA |
| August 30, 1977 |
Great Western Forum |
Inglewood, CA |
| Sept. 3, 1977 |
Seattle Center Coliseum |
Seattle, WA |
| Sept. 4, 1977 |
Memorial Coliseum |
Portland, OR |
| Sept. 7, 1977 |
Calgary Stampede |
Calgary, Alberta
|
| Sept. 8, 1977 |
. |
Edmonton, Alberta
|
| Sept. 11, 1977 |
Milwaukee County Stadium |
Milwaukee, WI |
| Sept. 12, 1977 |
St. Paul Civic Center Arena |
St. Paul, MN |
| Sept. 15, 1977 |
Pershing Auditorium |
Lincoln, NE |
| Sept. 16, 1977 |
Kemper Arena |
Kansas, MO |
| Sept. 17, 1977 |
Kiel Auditorium |
St. Louis. MO |
| Sept. 21, 1977 |
Freedom Hall |
Louisville, KY |
| Sept. 26, 1977 |
The Coliseum |
Cleveland, OH |
| Sept. 27, 1977 |
Spectrum |
Philadelphia, PA |
| October 2, 1977 |
UC Stadium |
Santa Barbara, CA |
| Nov. 1977 |
Western Springs Stadium |
Auckland, NZ
|
| Nov. 9, 1977 |
Parklands |
Brisbane, AU
|
| Nov. 11, 1977 |
RAS Sydney Showgrounds |
Sydney, AU
|
| Nov. 13, 1977 |
Calder Park Raceway |
Melbourne, AU
|
| Nov. 15, 1977 |
Festival Hall |
Queensland, AU
 |
| Nov. 17, 1977 |
Entertainment Centre |
Sydney, AU
|
| Nov. 18, 1977 |
Entertainment Centre |
Perth, AU |
| Nov. 19, 1977 |
Entertainment Centre |
Perth, AU |
| Dec. 1, 1977 |
Shi Kokaido |
Nagoya, Japan
|
| Dec. 3, 1977 |
Festival Hall |
Osaka, Japan
|
| Dec. 4, 1977 |
Festival Hall |
Osaka, Japan
|
| Dec. 5, 1977 |
Budokan |
Tokyo, Japan
|
| Dec. 10, 1977 |
Royal Lahaina Tennis Stadium |
Honolulu, HI
|
| Dec. 1977 |
Maui Sheraton |
Maui, HI
|
| March 18, 1978 |
Ontario Motor Speedway |
Ontario, CA
|
| July 17, 1978 |
Alpine Valley Music Theater |
East Troy, WI |
| July 18, 1978 |
Alpine Valley Music Theater |
East Troy, WI |
| July 19, 1978 |
Alpine Valley Music Theater |
East Troy, WI |
| July 1978 |
University of Texas |
Austin, TX |
| July 23, 1978 |
Cotton Bowl |
Dallas, TX
|
| July 26, 1978 |
Saratoga Performing Arts Center |
Saratoga, NY
|
| July 28, 1978 |
Rich Stadium |
Orchard Park, NY
|
| July 29, 1978 |
JFK Stadium (see above review) |
Philadelphia, PA
|
| July 30, 1978 |
JFK Stadium
|
Philadelphia, PA
|
| August 6, 1978 |
Capitol Center |
Landover, MD |
| August 7, 1978 |
Capitol Center |
Landover, MD |
| August 24, 1978 |
Rupp Arena |
Lexington, KY |
| August 26, 1978 |
Cleveland Stadium |
Cleveland, OH |
| August 28, 1978 |
Jefferson Civic Auditorium |
Birmingham, AL |
| August 29, 1978 |
The Omni |
Atlanta, GA |
| August 30, 1978 |
LSU Tiger Stadium
|
Baton Rouge, LA |
Sources:
Press/Reviews
Tour memorabilia & ticket scans
Contributions from Al Moran, Cathy, Duane Thompson, Graeme Sharp, John Jenkins, Michael Collins, Michelle Lithgow, Mike Whitaker, Dirk Faes, Hank Rowe, Chas Varnell, Steve Denison, Richard Gminder, Bud Anderson, Mark Freeman, Rob Farrish, Rowan McArthur, Steve, Lori, & Chris Allen